Barcelona | 25-ITP-OCT | Basma Malainine | Sprint 1 | Wireframe

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+.image-placeholder::after {
+    content: "IMAGE";
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html

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+<header>
+    <h1>Art</h1>
+    <p>
+        Art in the 17th century 
+    </p>
+</header>
+<main>
+    <article>
+        <img
+        src="https://assets.pinterest.com/ext/embed.html?id=492649946889933" height="636" width="345" frameborder="0" scrolling="no" alt=""/>
+        <h2>Unknown Lady by William Larkin, 17th Century</h2>
+        <p>
+        Unknown Lady* by William Larkin (17th century)** is a refined English portrait that emphasizes status, elegance, and restraint. The sitter is depicted in lavish Jacobean attire, with intricate embroidery, lace, and jewelry that highlight wealth and social rank. Larkin’s flat background and careful attention to costume place more importance on identity and symbolism than emotion, reflecting the formal portrait style of early 17th-century England.
+        </p>
+        <a href="">Read more</a>
+    </article>
+</main>
+<section class="article featured">
+    <div class="https://assets.pinterest.com/ext/embed.html?id=3237030974549846" height="517" width="345" frameborder="0" scrolling="no"></div>
+    <div class="content">
+        <h2>Isaac de Moucheron (Amsterdam 1667-1744 Amsterdam)</h2>
+        <p>Isaac de Moucheron (Amsterdam, 1667–1744) was a Dutch painter and draughtsman best known for his elegant **Italianate landscape paintings**. Influenced by French classicism and artists like Gaspard Dughet, his works often depict idealized ruins, harbors, and pastoral scenes bathed in warm light. De Moucheron’s landscapes emphasize balance, atmosphere, and architectural detail, reflecting the Dutch Golden Age fascination with travel, nature, and classical antiquity.</p>
+        <button>Read more</button>
+    </div>
+</section>
+<section class="article-grid">
+    <div class="article">
+        <div class="https://assets.pinterest.com/ext/embed.html?id=8866530508706951" height="529" width="345" frameborder="0" scrolling="no"></div>
+        <div class="content">
+            <h3>The Most Alluring Women of 17th-Century England</h3>
+            <p>What the Most Alluring Women of 17th-Century England Looked Like*** explores how beauty functioned as power in the Restoration court. Female allure was carefully constructed through fashion, cosmetics, posture, and portraiture, turning appearance into a social and political tool. However, this beauty was double-edged: admired and influential, yet often criticized and morally judged, revealing how women’s value was closely tied to their looks in 17th-century English society.</p>
+            <button>Read more</button>
+        </div>
+    </div>
+    <div class="article">
+        <div class="https://assets.pinterest.com/ext/embed.html?id=101049585387970308" height="699" width="345" frameborder="0" scrolling="no"></div>
+        <div class="content">
+            <h3>Madame Infante de Parme, Louise-Élizabeth de France</h3>
+            <p>Madame Infante de Parme, Louise-Élisabeth de France*** portrays the eldest daughter of King Louis XV, presented with elegance and authority befitting her royal status. The painting emphasizes luxury through rich fabrics, refined posture, and controlled expression, reflecting both her political role as Duchess of Parma and the ideals of French aristocratic femininity in the 18th century.</p>
+            <button>Read more</button>
+        </div>
+    </div>
+</section>
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